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Incontrol tv series#

Our relationship with television has always been intimate. “Need to” because now, more than ever, our choices in television define us. So much so that many conversations about television now revolve around how much there is and how far behind we are - never mind reading Ian McEwan’s latest or catching the current cast of “Wicked,” we all need to sit down and get through last season’s “Mad Men” or “Orange Is the New Black,” finally watch “Enlightened” or all of “The Wire.” After it airs, a show no longer fades into the ether or migrates into reruns it accrues, it accumulates.

Female stars, unable to find work in film, began what would become a mass talent migration to television the successful rebranding of AMC spurred other outlets to pursue scripted drama the rise of geek culture revitalized comic-book franchises, sci-fi, fantasy and even costume drama, while refined digital technology made the special effects required by these stories easier to achieve.Īll of which contributed to the single biggest change in television: Like books, movies, music and art, it’s now collectible.Īny viewer with a DVR can build her own lineup while anyone with a digital device can create his own television catalog.

HBO set the template for television that was “not television,” with scripted dramas and comedies so fine no one could deny their artistic importance. Many factors catalyzed television’s recent efflorescence.

Incontrol tv portable#

Now, of course, TV is controllable, portable and permanent. Sure, PBS geeks and HBO fans might buy the boxed sets of “Pride and Prejudice” or “The Sopranos,” but for most people, television was something you did, not something you possessed. Maybe you watched it again in reruns while you were sick or sad or trying to get ahead on the ironing.

Good television was like good weather, fleet and ephemeral you enjoyed it while it lasted. We watched what the network executives offered us when they offered it. Technically, the citizens of these United States have always been the proprietors of the airwaves over which television was broadcast, but it didn’t feel that way. Here’s the most important thing that did not exist in the television universe 10 years ago: ownership.

Incontrol tv series#

Here are a few things that did not exist in American television 10 years ago:īinge-watching recapping scripted series on networks devoted to old movies, science and history zombies streaming services popular series that end just because the story is done film-franchise adjacency shows that begin as miniseries and then continue indefinitely multiplatform viewing two concurrent versions of Sherlock Holmes A-list film directors television shows devoted to talking about television shows live tweeting micro-audiences immediate remakes of British series any remakes of European series European series subtitles cord-cutting horrific violence series in which the cast stays the same but the story changes series in which the title stays the same but the story and cast change really good computer graphics comedies more dark than funny amazing international locations an overabundance of stories characterizing the many ways in which television has changed in the past 10 years.